The Ground On Which We Stand

Creative Team Bios

RICARDO KAHN (Artistic Director- Crossroads Theatre) is the Co-Founder and Artistic Director of the Tony Award winning Crossroads Theatre Company. During the theatre’s first decades Khan nurtured and guided the creation of well over one hundred new works that have forever enriched the cannon of the American theatre. Ntozake Shange, August Wilson, George C. Wolfe, Anna Deveare Smith, Melba Moore, Ossie Davis and Ruby Dee ~ these are of the many he opened up the doors of Crossroads for, providing them a unique, safe and sacred artistic home. His writing credits include the NAACP award-winning “FLY” co-written with Trey Ellis, about the esteemed Tuskegee Airmen of World War II, “Satchel Paige and the Kansas City Swing”,  “Freedom ”, and its sequel, “Letters From Freedom Summer” which is still in development, and Rider“When Day Comes” with the internationally acclaimed singing group, Sweet Honey in the Rock. Mr. Khan was the Producer and Director of the 2016 opening night gala ceremonies for the Smithsonian’s new National Museum of African American History and Culture in Washington, DC, and was most recently the director of South Africa’s first ever production of August Wilson’s “Fences”. Ricardo Khan holds an MFA in both acting and directing from Mason Gross School of the Arts, and an Honorary PhD from Rutgers University where he is also in the University’s Hall of Distinguished Alumni.

CAMERON FILEPAS (Lighting Design) is a NJ/ NYC based lighting designer for theatre and dance. Recent design credits: The Last Match (White Eagle Hall), Richard II (Luna Stage), Crimes of the Heart (FDU), Fastened To The Moon/ Love Sex & Real Estate (Chain Theatre), Camp Rock The Musical (Theatre Row), The Marvelous Wonderettes (NEXTstage REP), Grease (Axelrod PAC), The Giant Void in My Soul (Luna Stage), Meteor Shower (Centenary Stage Company), First Date (FDU), A Bronx Tale (Axelrod PAC), The House Where Nobody Lives (Chain Theatre), Pass Over (Luna Stage). Recent assistant credits: Limon Dance Company Arizona Tour, Queens Girl In The World (Abingdon Theatre Company), A Midsummer Night's Dream (American Repertory Ballet), Into The Woods (New York Film Academy), NEXTsteps (The Washington Ballet), Fandango Gala (Hole In the Wall Gang Camp). Cameron is a graduate from Montclair State University where he received a BFA in Lighting Design.

SYDNE MAHONE (Dramaturg- Crossroads Theatre) is the Genesis Festival Director and founder. She was the director of play development at Crossroads Theatre. Editor of two books: Moon Marked and Touched by Sun: Plays by African American Women, and In This Life Together, a joint memoir by Ruby Dee and Ossie Davis. Recent teaching posts: Princeton University and University of Iowa.

MEGAN CULLEY (Sound Design) Selected Design: Antigone (Cleveland Play House); The Loophole (The Public Theater); Holmes & Watson Apt. 2B (KCRep); Grounded/Hurricane Diane; (Dobama Theater); Terminus (New York Theatre Workshop); 25th Annual Putnam County Spelling Bee (ACT of CT); Stranger Sings! (Off-Broadway); Inanimate (The Flea Theater); The Last Match (B Street Theatre); Roan @ the Gates (Luna Stage); The Color Purple (Theatre Horizon). Selected Associate Design: A Christmas Carol with Jefferson Mays (Broadway); Flying Over Sunset (Broadway); The Secret Garden with Sierra Boggess (Center Theatre Group); for colored girls who have considered suicide/when the rainbow is enuf (The Public Theater); The Old Man and the Old Moon (KCRep)

BRIA JOHNSON (Costume Design) was born and raised in Montclair, New Jersey. She recently graduated from Savannah College of Art and Design in Atlanta, Georgia, with a BFA in Fashion Design. Nearing graduation, she was one of the selected featured designers in the annual SCAD fashion show. Since graduating, she has worked on countless short films, music productions and a couple TV pilots. She believes that fashion can be a form of storytelling itself, outwardly displaying an individual’s emotional, psychological, or mental state of mind. Her goal is to be able to master the art of storytelling through fashion because your wardrobe is an outward tool to tell your personal story. She is excited about where her post- grad journey will take her and what more she will get to learn as an aspiring costume designer.